He sings additional backing vocals, like the line "We can save you", audible on Compliance's live version, the "M-M-M-M-Mad-Mad-Mad" part of Madness, backing vocals on Undisclosed Desires, additional backing vocals on Knights of Cydonia, as well as backing vocals on Assassin's Grand Omega Bosses Edit version, which were formerly sung by Wolstenholme. Like Morgan, Lancaster takes care over certain keyboard and vocoder parts, as well as percussion. As a result, Lancaster was utilised as Morgan's replacement on keys and synth, with his first show being on May 9th, 2022 at London's Eventim Apollo. In 2022, Morgan Nicholls announced on his Twitter that he would not be part of the Will Of The People tour, wishing the band, the crew and the fans all the best. Lancaster has mixed Muse's Won't Stand Down off of the album Will of the People. Recently, Lancaster has also gotten to collaborate and work with the likes of RØRY, The Warning and Måneskin. Lancaster has also worked with One Ok Rock, who went on to support Muse during the Will of the People World Tour in 2023, co-writing, producing and mixing the title track on the album "Eye of the Storm" and the single "Broken Heart of Gold". He also mixed Ed Sheeran's song, made in collaboration with Bring Me The Horizon, Bad Habits. EPs), One OK Rock (producing and mixing their single Broken Heart Of Gold), Blink 182 (mixing songs California & Left Alone), Enter Shikari (mixing songs on Nothing Is True & Everything Is Possible) and Polyphia (mixing The Most Hated EP), amongst others. Lancaster has worked with artists which include Don Broco (producing and mixing most of their albums), Bring Me the Horizon (mixing songs on That's The Spirit & Amo and Post Human: Survival Horror & Music To Listen To. He is notable for working in metal, rock and pop genres. According to Lancaster, the band gave him inspiration to start working as a producer and audio engineer. A former lead singer and guitarist of British post-hardcore band Proceed (which broke up in 2012), he is mostly self-taught and active in music production since the late 2000s. That Sheeran has trailed it as a “surprise” and “mad” tells you more about his innate populism than the song itself: it’s a well-written, extremely commercial pop song, cowritten by regular collaborators Fred Gibson and Snow Patrol guitarist Johnny McDaid, the latter of whom also had a hand in earlier Sheeran hits Shape of You, Photograph and Bloodstream.Dan Lancaster playing with Muse at Eventim Apollo in Londonĭan Lancaster is a London-based producer, songwriter, artist and mixing engineer. This is not a state of affairs that Bad Habits looks likely to change. He’s spent the last decade enjoying the kind of success that, in one sense at least, brooks no argument: even his loudest detractor couldn’t argue against his ability to write one song after another that attains a weird kind of omnipresence, hits that evolve into inescapable facts of daily life. Every track is immediately recognisable – you could have spent your every waking hour engaged in a dogged attempt to avoid the music of Ed Sheeran and you’d still know exactly what they were and who they were by within seconds of them starting. The “plays” column of the latter makes for mind-boggling reading: the figures look less like streaming statistics and more like long-distance phone numbers. Spotify has chosen to promote Ed Sheeran’s new single by sitting it at the head of a playlist of his previous hits.
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